Svetli Evgeniev

  "Absolute Destruction" aims to show the devastation of everyday life as an individual. The performance is a collection of videos that bring out the body such as sculpture, eroticism, distortion of perspective and anatomy through simple shots.  The video of the final result shows destruction of the shots by re-capturing whit video the screen on which it is mounted. This is done in a dark room and in this case there is not reflections of hands or camera that appear on the video. Showing each new day in life destroyed by the previous one. The idea of ​​destruction penetrates when every day is multiplied, whit making video of the same video it is breaks down into pixels. Colored in like the rainbow, sometimes the screen becomes bright blue with light yellow hues. The whole material is giving signals for a day in life, this is the first frame. Next is a black screen, a second frame- new day, a black screen a third frame, and so on. Monologue is held all of the time. The days are

"The city" is a project that combines ceramics and large ink drawings. Mixing materials leads to an optical illusion as they are one. Viewed from different angles, they complement and create new perspectives.                              The idea brings the city to different situations. Searching for Balance between the lines on the drawings and the lines on the ceramics. The drawings show the city from the inside, rather the homes and the way of life. The ceramics show sculpture, architecture and art in a public environment. Comparison between internal and external is sought. The drawings are made of different colours whit ink, the lines are made through an experiment "drip art", which I called updating the ”Troyan pattern”, The Buddha's drawing shows the state of mind during the Covid19 epidemic. When humanity faces such a challenge, there are two ways to cope, one is to be like a Buddha. On the other hand, the picture shows the political unrest in Bulgaria 20

 The sculptures and vessels artwork from the cycle "Earth" are made of clay, which is found locally in various cities in Bulgaria. Inspiration is drawn-out from the folk psychology of different towns, just like the Bulgarian folk costumes, but above all from the primitive ceramics. Various deposits of the material have been found in Lom, around the Danube River and the Trojan Balkans, where traditional pottery is still used today. The similarity between the materials is different. The works of the cycle are united by the natural earth colours. The process is mechanical, long and difficult, the first step being to find a deposit. The clay must be cleaned of river stones. It is crushed with two large stones and passed through a sieve, or it is mixed into water and filtered, both cases take a long time. When there are no stones in the clay, it is ready for work. The artwork must dry very slowly, because the material does not contain modern improvers or impurities and can crack d

Name:Breathe/Materials:ink,Acrylic paint on paper/Size:100x140cm/Year:2020 Name:Dancers/Two monotypes/Materials:Oil paint,Ink,paper/size:70x40cm/Year:2020 Name:But/Materials:Ink different colours/size:100x140cm/Year:2020

         Video presentation The project shows the searching and highlighting of defects in video materials. Inspired by the natural: the movement of water and bodies that stand out against mechanical, digital, and sound backgrounds.  “Short provocations” covers issues such as alcohol abuse, sex, the porn industry, trafficking - social issues, and taboo topics at the study's center. They are all brought to two extremes - porn and love, indiscriminate and monogamous sex. Extremes, without a precise balance. The installation shows plastic mannequins with mounting paper heads. The body is taken out of context. Modification has been showing confusion in the body. Sexuality issues are identified through body modification. The installation indicates the debauchery in its pure form. The figures in the installation are summarized in black ribbons. The video material, also show the interior of the building. Fear and doubt instill. The building is demolished, and the video hints at an unexpec